Music · Beginner
A step-by-step recorded programme that takes you from holding the instrument to strumming and singing complete songs at your own pace.

You have a guitar in the corner of the room. Maybe you bought it last year, maybe a friend lent it to you, and you have already worked out that the instrument itself is not the problem. The problem is that nothing tells you what to do first. One video says start with chords, another says start with scales, a third says your hand position is wrong before you have played a single note.
So the guitar stays in its case. When you do pick it up, your fingers hurt after ten minutes, the chords buzz, and switching between two shapes feels like a small physical impossibility. Nothing sounds like the songs you wanted to play, and there is no one to tell you whether you are making progress or quietly building a bad habit.
This course exists to remove that guesswork. It is a recorded beginner programme built around one fixed order of steps: how to sit and hold the instrument, how the right hand produces a clean sound, how the left hand forms its first shapes, how the two hands work together, and finally how to keep a rhythm going while you sing.
Every block ends with a practical assignment that is checked and returned with written comments, so you know what to correct before the next block opens. By the end, the aim is concrete: you can play and sing at least three songs from beginning to end, and you know how to learn the fourth one yourself.
Each point below is a skill the lessons build towards, in this order.
Sit, position the instrument and bring it into tune without relying on someone else.
Thumb and finger strokes, arpeggios and a steady pulse instead of a strum that muddles the strings.
The shapes that cover most beginner songs, with fingers placed so the strings ring instead of buzzing.
Practise transitions in isolation, then inside a song so the beat never drops.
Simple down-and-up patterns, accents and pauses that make an accompaniment sound musical.
Coordinate voice and hands by learning the vocal line and the accompaniment separately first.
Full arrangements built from two to six chords, prepared in the song workshop block.
Read a chord chart, work out the pattern and plan your own practice sessions after the course ends.
The programme follows a single teaching sequence that has been used with absolute beginners of every age, from young children to students in their seventies. It starts with sound rather than with chords: before your left hand has to do anything difficult, you learn how the right hand makes a string ring clearly and how to keep a pulse going.
Only then do the first chord shapes appear, and they appear in pairs. Two chords are introduced, practised against each other until the change is smooth, and then used in a short musical phrase. New chords are added the same way, so your fingers always have a job they have already half learned.
The third layer is the voice. Playing and singing at once is where most self-taught beginners give up, because the two rhythms fight each other. The course separates them deliberately: the vocal line is learned on its own, the accompaniment is learned on its own, and only then are they joined, slowly, in a way that most people can follow.
Nothing in the sequence depends on talent or a natural ear. It depends on doing small things in the right order and repeating them often enough, which is exactly what a recorded course is good at.

All lessons are pre-recorded videos that you watch on your own schedule and rewatch as often as you like. Nothing is live, so there is no fixed class time and no risk of falling behind a group. A realistic pace is three to four short sessions a week of fifteen to twenty minutes, though the course works equally well in longer weekend sittings.
The material is organised into eight blocks. Each block contains several short video lessons followed by one practical assignment: a short recording of your hands, a chord change, a strumming pattern or a song fragment. The assignment is checked against clear criteria and returned with written comments pointing out what to fix, whether that is a muted string, a rushed change or an unsteady beat.
Assignments also act as the gate to the next block. You cannot skip ahead to the songs before the fundamentals are in place, which is a deliberate design choice: it keeps your hands and your expectations moving at the same speed. If you already play a little, the early blocks will go quickly and you will reach the song workshop sooner.
Alongside the videos you get chord charts and song sheets as PDF files, so you can practise away from the screen with a printed page on the music stand in front of you.
The course's 49 recorded lessons are grouped into eight blocks. Each block lists its core lessons; a few short supplementary clips sit inside the blocks as well, and every block closes with one reviewed assignment.

Everything below is delivered digitally and stays with you after purchase.
Short, focused demonstrations you can pause, slow down and rewatch as often as you need.
Each one is checked against clear criteria and returned with written comments on what to correct.
Printable diagrams of every shape used in the course, for practice away from the screen.
Chord progressions, structure and lyrics laid out for the three songs you learn to play.
Blocks unlock in order, so you always know what to practise next and when to move on.
No class times and no deadlines: study in the morning, at night or in weekend sittings.
A weekly routine you can keep using once the lessons are finished.
If the method is not for you, request a refund within two weeks of purchase.
Guitar is a physical skill, and physical skills respond better to short, frequent sessions than to one long weekly push. The course is built around that reality: each video is short enough to watch once and then practise immediately, and each practice session has a single clear target rather than a list of things to get through.
That is also why the assignments matter more than they might seem to. Recording yourself playing a chord change or a strumming pattern shows you things you cannot hear while you are doing it: a string that never rings, a change that arrives half a beat late, a wrist that stiffens as soon as the tempo rises. Written comments on that recording give you a correction to work on instead of a vague feeling that something is off.
If life gets in the way for a week or two, nothing expires and nothing is lost. You return to the block you were on and continue from there.
By the final block you are no longer a person with a guitar in the corner. You have a small repertoire: at least three songs you can play and sing from beginning to end, plus the chord vocabulary to attempt many more. You can tune the instrument yourself, sit down and produce a clean sound on purpose rather than by accident.
More useful than the songs is the routine. You know how to break a new piece into a chord change, a strumming pattern and a vocal line, practise each part separately and then put them together. That is the skill that keeps a beginner playing after a course ends, and it is the one the assignments are designed to build.
Some students stop at the three songs and play them for friends and family. Others carry on into fingerstyle, singing with a band or writing their own material. Either way, the foundation is the same: clean sound, steady time, and hands that know where they are going.
Three or four sessions of fifteen to twenty minutes a week is enough to keep moving. The lessons are short by design, and each one gives you a single thing to practise rather than a long list. If you have more time, you will simply move through the blocks faster.
None. The course assumes you have never held a guitar. Everything is explained from the beginning: how the instrument is built, how to sit, how to tune it, how to read a chord diagram. No sheet music reading is required at any point.
A playable acoustic guitar with six strings, ideally freshly strung, plus a pick if you have one and a tuner or tuner app. A classical nylon-string guitar works just as well as a steel-string acoustic for every exercise in the course.
Access is opened for you immediately after the payment is confirmed, and you receive the details by email. You then work through the blocks in your own account: watch a lesson, practise, submit the block's assignment, and the next block opens once it has been reviewed.
Each lesson is a short recorded video in which the technique is demonstrated close up on the instrument and explained step by step. You can pause, rewind and rewatch any part. Chord charts and song sheets are supplied as PDF files you can print.
You record the requested exercise — a chord change, a strumming pattern, a song fragment — and submit it with the assignment. It is checked against the criteria stated in the lesson and returned with written comments on what to correct before you move on.
The lessons and PDFs remain available to you after purchase, so you can return to any block later, rewatch a demonstration or use the song sheets as a reference. There is no deadline by which you have to finish.
You have 14 days from purchase to request a refund. If the teaching style or the pace does not suit you, contact support within that period and the payment is returned. No explanation is required beyond the request itself.
The first blocks will move quickly for you, and you can work through them at your own speed. The later blocks on rhythm, singing while playing and the song workshop are where most self-taught players find the real gaps, so the course is still likely to be useful.
Forty-nine lessons, seven reviewed assignments and a small repertoire of songs — all at your own pace, with 14 days to change your mind.