Dance · All levels
A recorded library of 28 dance routines, broken down step by step, with mirrored video and slowed-down music so you can actually finish them.

You find a routine you love, learn the first eight counts, and then the video moves on at performance speed and you lose the thread. The tab stays open for a week. You never come back to it. It is rarely a lack of talent — it is the format.
Most free tutorials show a choreography once, from a single angle, at full tempo. There is no breakdown of the arms, no explanation of where the weight goes, no slowed music to practise to. Learning a whole routine that way takes as much luck as work, and most people quietly give up halfway through the chorus.
This library is built the other way round. Every routine is taken apart slowly, filmed so that you can mirror it, and paired with a slowed version of the track. You see the count, the arms, the weight shift and the styling before you ever try it at tempo. Lessons run from 30 to 45 minutes, which is long enough to learn something real and short enough to fit into an evening.
You also do not have to guess where to start. The library is organised into packs by style and energy — from upbeat, punchy routines to slower, heavier grooves and a dedicated high heels set — so you can begin with the music that already makes you want to move.
By the end of the library you will have a repertoire, not a folder of half-learned clips.
Not just the chorus: the full choreography, in order, at performance speed.
Every routine is filmed so that left and right match your own body.
The high heels tutorials cover weight placement, balance and clean lines.
Count the track, catch the accents and stop drifting a beat behind.
Practise at half tempo first, then step up to the original track.
Use simple self-recording to spot what your body is actually doing.
A repeatable session structure you can run in a small room at home.
Work on delivery, gaze and attitude so the routine looks like yours.
The library is a collection of recorded video lessons, grouped into packs. Each lesson is one choreography, taught from the first count to the final pose: a detailed breakdown of the steps, the arms and the transitions, mirrored footage so you can follow along without translating left into right in your head, and a slowed version of the music for practice. Picture and sound are recorded cleanly, so you can hear the beat and see the detail.
Nothing is scheduled and nothing is live. You open the lesson when you have time, pause as often as you need, and repeat a section until it sits. Some people work through one routine a week; others learn three in a weekend and then spend a month polishing them. Both are fine — the material does not move on without you.
The packs are self-contained, so you can start anywhere in the library. If you are new to choreography, begin with a slower routine and the introductory lessons on warm-up, mirroring and practice structure. If you already dance, go straight to the pack whose music you like and treat the breakdown as a polishing tool.

Eight modules, 35 recorded lessons. Work through them in order or jump to the pack that matches your level and taste.

Every choreography taught from the first count to the last, in 30–45 minute sessions.
Follow the screen as if you were standing next to it, with no left-right confusion.
Learn the sequence at a comfortable tempo before you take it to the original track.
Three routines chosen for heel work, with attention to weight and balance.
The opening module shows you how to run a session that actually moves you forward.
Upbeat, slow groove, single routines and heels — pick by mood or by level.
Repeat any lesson as many times as you need; nothing disappears mid-routine.
Every lesson follows the same structure, and that structure is the reason people finish routines here. First you watch the choreography at performance speed so you know what you are aiming for. Then the routine is taken apart in small sections: the feet, the arms, the direction of the gaze, the moment the weight changes. Nothing is left to guesswork.
Next comes the slowed version. You run the section at a tempo where your body can actually keep up, repeat it until it stops feeling like a list of instructions, and only then return to the original track. This is how the routine becomes muscle memory rather than something you have to think your way through.
The last step is delivery. Once the steps are secure, the lessons turn to styling: where the movement comes from, how to fill the pauses, how to make the same choreography look like your own dancing rather than a copy. That is the part most tutorials skip, and it is the part that makes a routine worth performing.
A few weeks in, the change is usually not a single dramatic moment but a stack of small ones. You hear a track and instinctively count it. You pick up a routine from a video in an evening instead of a month. You stop apologising for the arms and start using them.
Most people finish with something more useful than a folder of saved links: a repertoire. Two or three routines they can perform at full speed, a warm-up they actually do, and a practice habit that survives a busy week. Some go back and polish the routines they rushed; others move straight to the next pack.
There is also the quieter result the lessons keep returning to — comfort in your own body on the dancefloor. Musicality, coordination and confidence are trained, not gifted, and they come from repetition with good material. That is exactly what a library of broken-down routines gives you.
One lesson takes 30 to 45 minutes, so a single session a week is enough to keep moving. Most people pair a lesson with two or three short practice sessions of 10–15 minutes on the sections that are still shaky. Learning one routine a week is a comfortable pace; there is no deadline.
No formal training is required, but the routines assume you can keep a basic beat and coordinate simple steps. If you are completely new, start with the introductory module and one of the slower routines, and expect the first choreography to take longer than the ones after it.
As soon as the payment is confirmed you receive access to the library and can open the first lesson straight away. There is nothing to install and no call to schedule — you log in and start watching.
Your purchase opens the library for the access period shown at checkout, and within that window you can watch every lesson as many times as you like. The material stays available for the whole period, so you can work through the packs at your own pace rather than racing a countdown.
They are recorded video lessons of 30 to 45 minutes with clean picture and sound. Each one includes a full-speed run of the choreography, a detailed breakdown, mirrored footage and a slowed version of the music for practice.
This listing is for the full library, which bundles all the packs and single routines together. If you only want one style, the library is still the simpler option: you get the whole set for one price and can ignore the packs you do not need.
A space of about two by two metres, a device with a screen big enough to see the feet, and shoes appropriate to the routine — trainers for the general packs, heels for the high heels tutorials. A mirror is helpful but not required.
You have 14 days from purchase to request a refund. If the library is not what you expected, contact support within that window and the payment is returned according to the store's refund terms.
No. This is a self-study library: you work through the lessons independently, at your own speed, with no live sessions and no personal feedback. The lessons do include guidance on filming yourself and reviewing your own dancing, which is the most practical substitute for a teacher's eye.
One purchase opens the whole library — 28 choreographies, 35 lessons and the high heels set — for €49.00.